legendary deep soul french complation(s) featuring many soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest hip-hop acts. cut from original masters. original packaging, beautifully and precisely reproduced to the original standards. original year of release: 2014

legendary deep soul french compilation(s) featuring many soul classics, sometimes forgotten, which have been sampled countless times by some of the biggest hip-hop acts.

for the newest release on disco halal and his solo debut on his own label, moscoman has shared one of his personal weapons with the world. the disco halal boss explains: you need to know where you came from to know where youre going. for my first original ep on disco halal, its time to go back to the middle eastern roots of the label. its a special track that has been the ace up my sleeve on countless dance floors across the globe. accompanied by my fellow travellers simple symmetry on remix duties, im proud to release this two sided work. a patented dance floor scorcher, ‘i ran, sees middle-eastern vocals thread their way through a lofty percussive blend, simmering up a psychedelic energy which will be turning dance-floors upside down for times to come. on the flip, trusty disco halal comrades simple symmetry, the duo responsible for ‘voodoo your ex, one of 2017s most rinsed anthems, spin ‘i ran into a chugging guitar anthem, all in cinematic twist and turns.

chained to a ladder: theres no way up. theres no way down. youre hung on a rung and theres there no place to escape as dino lenny delves into your innermost psyche with this heavy slice of pedigree italian electronica. a darkroom dubs debut from the original craftsman, chained to a ladder is ominous in its mood and tone, dramatic in its new romantic vocal style and uncompromised with its devilish analogue aesthetic.

endlich: das neue studio album von maceo parker ist da!

das mixen von östlicher avant-elektronica sowie krautrock mit jazz und bossa nova ist charakteristisch für cornelius musikalisches schaffen. seine karriere startete er als gründungsmitglied der band flipper’s guitar, die das in tokio entstandene genre shibuya-kei maßgeblich prägte. es folgten weitere veröffentlichungen, durch die er auch international große anerkennung erlangte: der -moderne brian wilson- oder japanische gegenpart zu beck oder the beastie boys waren nur einige der vergleiche, die in der presse sowie von kritikern gezogen wurden. cornelius live-shows gelten weltweit als einzigartig und sind bekannt für spektakuläre visuals, die perfekt synchron zur musik gezeigt werden. er feierte erfolge als produzent für filmmusik und wirkte unter anderem bei auftritten von yoko ono’s plastic ono band oder dem yellow magic orchestra mit. schwarzes 180g vinyl im gatefold.

this is a great sophomore effort by this scottish outfit. the singer has a unique semi-quavering voice with a melodramatic quality that suits the music and would equally suit him on stage in a musical. some songs are aggressive but with a dark hue. opening cut -a leaving song- finds sutherland carving his way through jangly and buzzing guitars set to a skittery beat with a touch of the theatrical. closing is -home-, a forlorn ballad with sutherland delicately pleading -please let me come home-, elegiac and sweet.

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

surely no other orchestra can claim the dancefloor kudos of these guys - the salsoul orchestra. theyve literally played on, shaped, crafted and executed numerous classics since their inception in 1975. as salsoul records in-house band they were quite literally, instrumental, in the personality and sound of one of dance musics most famous and respected labels.

hike: cristal clear lakes, impressive mountains, soothing forests and berlin techno music. the tazekka national park in morocco features forests of cork oak and holm oak, caves, canyons, rural landscapes, cascades and a mountain jbel tazekka which is some 1.980 meters high. its a joy to hike through, yet it flies under the radar of most visitors to morocco. sometimes, if youre really lucky, you can find a beautiful aragonite near a spring in one of the beautiful caves, that belong to the national park.

viele der songs seines selbstbetitelten albums »ringo« (1973) wurden von george harrison produziert, zb der song »it don t come easy«, der song »photograph« entstand aus einer gemeinsamen feder, und die bis dato unveröffentlichen harrison kompositionen »sunshine life for me« und »you and me (babe)« wurden mit aufgenommen. john lennon steuerte die komposition »i m the greatest« bei, für den er auch den hintergrundgesang übernahm und am klavier saß.

grammy winning nyc disco and house legend louie vega has decades upon decades in the recording studio and dj game under his belt and having played endless gigs all over the world during that time its safe to say the original he knows exactly what hes doing when it comes to this music thing! pair louie with the legendary king street sounds label and youre having a party! this is exactly what happened in 2007 when the label asked him to contribute to their legendary mix the vibe series where top flight selectors like louie get to dig deep and produce a fresh dj mix for the label. now, you know the quality control is going to be sky-high on a project like this and this limited dj sampler featuring tracks from the compilation proves just that! featuring tracks and exclusive mixes from the likes of 95 north, basil, mood ii swing and more this ep more than deserves a place on your record shelf or in your dj bag! all featured tracks have been fully licensed from king street, remastered and reissued with %100 involvement from the label. essential house music for the seasoned heads and neophytes alike!

sue zukis inaugural recorded document the we are all very anxious tape is in our opinion one of the most innovative audio expeditions that has resonated with us. boldly defying and deconstructing conventional genre tropes we arent being bias by saying that either. this is a genuinely sincere perspective. the key to sue zukis music is her vocals where she misanthropically preaches the records themes of psychological alienation and despair, trapped within an augmented virtual reality. whilst trapped and unable to properly function inside this distorted simulation there are the bewildering sounds of a thousand voices and every conversation unhealthily looping inside yourre mind, through the echo chamber. manifesting into a bleak neurotic obsession and feelings of inadequacy, a desperate plea, blinded and fatigued by the unnerving glare of the computer screen, processing too much information and not knowing if the human interactions youre experiencing are genuine or artificial.

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

more freshly house edits

2017 reprint of long deleted classic - in complete original beautiful outersleve and label / art ! double vinyl

little movies are morgan buckled buckley and ben soft-shoe donohue. dueling hot analog swords over snowy modular fjords improvised cv chitchat. pre-post boiled egg heads & soldering irons. recorded on irish pastures in a single day, stitched together somewhere between kimmage and galway-very-west. live score to a silent 1920s lawn mower man. mastered by the bastard. limited as a mthfkka.

hailing from helsingborg but living in berlin since 2012, swedish street artist and electronic musician erik jaahalli releases his debut on borft. with smudgy analog romantic morning theme tracks bordering between chicago house, detroit techno and european new beat influences. but what youre hearing is geographically the sound of lichtenberg berlin now and more specifically the morning vibe at the private continous party domestic affairs. lennie the cat and dong xuan center included. -dj joakim cosmo

the 1980s. neo-liberal excess. crumbling communism. military juntas ruling with an iron fist. and of course, freaked out music. contort yourself are turning back the clock and returning to an unholy fount of inspiration with -80s underground cassette culture volume 1. a buffet of beaten up and brutalised tracks are on offer from unknown outfits and respected experimenters. across two lps expect to find noise reductions, post punk bitterness, no wave grunts, distortion soaked strings and vocals lost in a hail of pain. a road map into the weird and wild world of diy back alley artists who, armed with only a tape and an idea, gave the established music norms a sharp fist to the throat.

superb album by east los angeles band the village callers, recorded live in 1968 and released on eddie daviss rampart records. seasoned and popular band at all the top venues, the village callers brought many different sounds into the mix: jazz, soul, r&b and lots of latin percussion. their only lp consisted mainly of groove-filled covers such as i heard it through the grapevine, i dont need no doctor, joao donatos the frog and a medley of aretha franklin hits. hector, one of the standout cuts on the lp and its only original song, has been sampled by beastie boys, cypress hill or de la soul among other hip-hop artists.

thomas brinkmann is one of the great producers of techno music and modern dance music. he initially gained notoriety in the experimental electronic music and techno community for his full-length variations of material by wolfgang voigt under his mike ink moniker, and richie hawtin. the variations were made by playback of the original artist records on a turntable of brinkmann s design, which has two tone arms with separate outputs for left and right channels. the turntables were then pitched down from 33rpm to 27rpm and the results recorded and mixed. both voigt and hawtin were sufficiently impressed they released the results on their own labels. since then thomas brinkmann has produced some all-time classic dance tracks, many of which are collected here in what is a personal selection by thomas brinkmann himself. there are unreleased tracks, different versions, and tracks that have never been released on vinyl. a full colour 20-page book with track notes by thomas brinkmann and photos from his personal collection is included. limited edition box. highly recommended! ean4050486123461

luv jam presents moonbeams mini album by dj moonbeam extra terrestrial nippiness brought to you by the power of the moon in full eclipse.

house for her is a label founding its birth in the need that she s gone had to express his feelings in his mixes and productions. the time came to him, 1 year ago to give the floor to other people, to let everyone build pieces of music around their lived experience. in this release, the four artists came to cover in mist the wax in a cascade of tablecloths sometimes soft and other times more aggressive, to develop a ep rich in questioning, ranging from dance pieces to other more ambient things, linking them together to tell a story. raär and mp-57, as usual, darkened in the pile, revealing brutal tracks but nevertheless completely full of feelings. devant, with a more colorful touch, has come to appease the ep of a piece of a house deep and sexy, endowed with an atmosphere reminding us much nostalgia. and finally entrave, in a final piece, quietly envelops us to finish to walk in this ep, as in a novel, a kind of sombre happy-end.

some more mexican music on quintessentials! this time from long time buddy 4004, another driving force in mexico and already an established producer with releases on labels like freerange, faces, vicario ltd or quintessentials. mostly doing stuff on his own, quintessentials 56 features a great collab track with stuttgarts stylus heat. im not sure if we find 4004 reasons to like you gerardo, but there are definitely two: youre a cool fella and we love your music - simple as that!

turbo recordings is proud to present the kind of remix pack we’ve heard you talk about in your sleep, featuring a banging techno remix from masked man/presumed german redshape, an electro-funk jam from veteran clone machinist dexter, and two mixes (one vinyl, one digital) from rising turbo star anna that will enrich the lives of completists everywhere. label boss tiga has declared this to be his favourite release of recent times, with each track instantly plunging him deep into a persona he calls mr. goin crazy, which he describes thusly: your best friend if youre feeling the highs and your worst nightmare if you aint deep in the groove can rap his way out of any cypher naturally good at math makes his own ceramic dinnerware with insane designs and patterns

whilst not the first uk dance scene the mods had that covered – northern soul is the longest running. those northern clubbers who eschewed late 60s psychedelic fripperies for obscure old soul records with the requisite beat, couldnt have known what they started. after using up all the uk released sides they began digging in the united states and after nearly 50 years the northern soul scene has probably unearthed more great music than any other. all night long is our tribute to those pioneers and includes current in-demanders such as the sensations demanding man, classics by the chandlers and ernest mosley and a host of other dancefloor friendly masterpieces. all night long, can you feel that beat and extra added soul will be available on cd & double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

four trax for the heads and for the floor. screaming acid with deep rhythms full of mesmerizing chords like these old detroit warehouse vibes meeting ultra...

ltd 2017 repress - francis inferno orchestra ist das projekt von griffin james, einem jungen und talentierten dj und produzenten aus dem australischen melbourne. auf sich aufmerksam machte er bereits mit maxis, die auf labels wie lets play house und wolf music erschienen sind. die vier tracks hier bewegen sich zwischen dem moodymannschen mpc-house und mehr an techno angelehnten tracks. definitiv keine ware von der stange und eines der ganz großen highlights im katalog des zuericher labels drumpoet community.

30 no 1 hits , + bonus track * a little less conversation*

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

we are gonna call this one dwights baby..on the rocks written and produced by dwight sykes for l.u.s.t. productions. the album he would have released in 1980 is complete. cell phone shadow photography by dwight sykes.

greyhouse is dutch producer marcel hol. this originally came out in 1990 on hip hop label - and now reissued by dark entries with different tracklist that also includes a jared wilson remix

following the edge & void, french producer and goldmin music label owner romain lanteaume aka einka delivers his first album to waken doubt in one.

nice price deal !!! the flatmate ghost ep takes the classic tech house aesthetic on a laid back, rolling journey, while two distinctly dissimilar remixes open your eyes and ears further. title track flatmate ghost quickly lures you into a subtly relaxing beat but as soon as youre locked, dissonant synth bursts and ominous, pitched down vocal meanderings immediately disrupt the dance. while kellerkinds take on the original brings forth a shoulder swinging groove, soothing piano riffs and clever silences. andres zaccos version moves with relentless percussion, delving into the hollow depths of dark bass. quality time offers the more sensual side of soukie & windishs production. here, otherworldly harmony prevails while the characteristic jarring stabs take a backseat. soukie & windish manage to visit opposite ends of the spectrum without losing the unique creative resonance the pair found in this collaboration.

following his 2015 release s/t, ant orange is back with another groove-laden 12inch on karaoke kalk. arkupe is a prime slice of laid-back beats and bass-heavy jazz breaks. each track oozes soulfulness, from the smooth-as-silk fender rhodes on the opening title track to the downbeat afro rhythms of fog walk, and the nonchalant guitar riffs and synth lines on little wing. side 1 closes with feld, a sun-drenched slo-mo house jam. side 2 presents another handful of diverse ant orange cuts, starting with the more uptempo toe-tapper big lils. lb offers more tasty jazz-n-bass drumming, while the closing track my man has a breezy still-awake-on-sunday swagger. with his latest 12inch on karaoke kalk, ant orange shows the wide range of styles he has to offer. arkupe is loaded with some of the mellowest vibes youre likely to hear all year.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

after a smooth debut on kyoku records, copenhagen-based dorsi plantar joins team better listen for a four track ep of bright, heady grooves. the a-side leans more on the afro-latin and jazzy side of things, while the flip dives deep into disco. fans of blr s previous outings and the likes of other imprints such as sleazy beats black ops will not be disappointed. dj support: fouk thatmanmonkz mike w (kolour ltd) sleazy beats soundsystem tilman kian t lee dearn (secret reels) osmose ponty mython kyoku records replika closed paradise

the sixth compilation of mutated machine music from contort yourself centres around british industrial pioneers nocturnal emissions. the group hack out two thick cuts of oil soaked savagery. gears crunch and chains clatter as drum machines are minced and mangled for demon circuits bloodbath before the reduced and removed bitterness of even the good times are bad. l.i.e.s. main man ron morelli under the guise of u-202 takes on the static of the 83 original, lonesome rhythms fired into a gaping hollow of echo and decay. there is brief respite, very brief, coming in the haunted strings of penelope s fiance. torrent grinds this short break into dust with exe 2 blueprint, a sludge stomper drowned in distortion and dripping with distress. innsyter (l.a. club resource), aka seixlack, calls time with the hazy house bottle smasher, think fog machines and bodies in the dark and youre getting close. off-kilter madness all-round!

10th in the extremely popular attack the dancefloor series featuring crackazat, joey negro, hot toddy & opolopo.

totes preesh make tracks for your ears. sean marquand and patrick wood of new york city have created these sounds for you and your friends and tooled them to perfection, for your pleasure. whether youre at home, or in the club, or driving around in your car, looking for drugs, you can count on these guys to soundtrack your day correctly. they were featured on 2015s mangiami - la compilation on golf channel recordings, but this is their first 12inch. they are here to make you bump to a cosmic sound that is sexy and pristine, and yet, also feels exactly like two buffalo boys going round the outside, round the outside. double a-side alert. first up head shop boys, a kicky, kinky, neon affair, perfect for late-night debauchery on the flip, haole is a straight up trip with some serious old school new york flavour, and will undoubtedly prove to be the worlds first crossover drive-time club banger.

joakim on samurai: this is a very personal record. i tried to channel the emotions and spontaneity i had when i first started making music. its not about nostalgia, its about the freshness and directness call it naivety you lose when you start becoming a professional musician. i moved to new york almost 5 years ago. these past few years have been a weird combination of excitement and quite challenging events. ive learnt what it means to be exiled, in every sense. this album is about that, being far away from home and from yourself and finding your way back. the album is built like an unknown city, you walk through it, making random turns, getting lost, some corners may bring back memories, you’re getting away from something and at the same time youre on a quest. hence the importance of listening to it in its entirety (yes, im a utopian). it will be the only physical release, very limited. no cd edition. producer, d.j., label manager, tireless gem searcher, musician, music lover, its hard to reduce joakim to a single function xavier veilhan, french artist et sculptor tall lanky weird dude who makes great music

what can you expect? take the best fusion-band ever (chick coreas return to forever), some james brown funk, synth-fun like tangerine dream and even a bit of hardrock, and youre getting close. this is zappa, the flemish zappa: cool,funny, sad, difficult,no record for those who love the traditional verse-chorus-verse, and so probably as uncommercial as it can get

new york city house / disco from ny/philly based producers. jacques renault of let s play house offers a string-heavy bassline slapped floor filler. matpat of philly with release on exploited and 124 recordings brings a raw kick, heavy pounding loop driven classic house track. evan michael offers a belter of a raw filter track for the rooftop set. higgins closes the record with an uptempo stomper.

huge support from jeremy underground / floating points / motor city drum ensemble. huge record if youre into disco, modern or just good fucking music and you probably dont own unless you work in the city or spend half you life looking for it. frazelle is the party record that everyone wants, big support all round on this so dont be waiting around and then email us when they are gone. licensed from ken frazzelle himself which always makes us happy. expect bileo like sales on this so stock up as they will fly